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"Unknown"

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A dense sticker bomb covers the upper portion of a grey metal door, showcasing a wide variety of styles and artists. The collection ranges from bold typography and street tags to intricate character illustrations and graphic icons.. Subject: A stylized feminine face with dark hair and hollow eyes. Style: Graphic noir illustration. Details: The sticker features heavy black ink lines and is caught in a strong red glare from a nearby light source, emphasizing the lips and chin.. Shape: die-cut rectangular. Setting: Urban environment. Surface: A metal utility door or electrical cabinet, likely located in an urban alley or transit hub.. Colors: #000000 (Jet Black), #FFFFFF (Cloud White), #FF0000 (Glowing Red), #808080 (Industrial Grey), #E9C46A (Ochre Yellow). Composition: Straight-on, medium close-up shot that captures the density and layering of the stickers.. This sticker bomb functions as a collaborative palimpsest, where individual artists like 1UP and Bruce reclaim public infrastructure. It represents the chaotic, democratic nature of street art, where disparate voices, political slogans, and personal mascots converge into a singular, evolving visual narrative of the city's subculture.
[STICKER]

Kittesencula

Artist: Unknown

Location: Firenze, Italia

This black and white die-cut sticker features a grotesque, psychedelic mushroom monster. The tall, tapering cap is covered in numerous unblinking eyeballs of various sizes, with a large, prominent eye at its center. Its stalk is transformed into a screaming face with a wide mouth full of needle-like teeth and a long, slender tongue lashing out. The illustration is rendered in a detailed ink-sketch style with fine hatching and stippling, typical of underground comic or counter-culture art. The sticker is adhered to a white, textured metal or plastic surface, possibly a utility box, which shows minor signs of wear with black scuffs and a faint, pale green graffiti tag to the right. The piece carries a surreal, trippy, and slightly dark mood, referencing psychedelic experiences and monstrous transformations.
[STICKER]

The Watcher of the Woods: A Psychedelic Scream

Artist: Funghetty

Location: Firenze, Italia

Il cavallo bianco di Napoleone in realtà era color legno.
[STREET ART]

Il cavallo bianco di Napoleone

Artist: Maurizio Rapiti

Location: Firenze, Italia

A rectangular graphic sticker is prominently displayed on a weathered metal utility pole. The sticker features bold text and a star motif, reinforced by silver duct tape on its sides.. Subject: The text 'P38' superimposed on a purple star with repeating line-art portraits in the background.. Style: Graphic vector illustration with a focus on bold typography.. Details: The sticker includes social media handles around the border and features stylized line-drawn faces of a man with an afro and glasses.. Shape: rectangular. Setting: Urban outdoor environment. Surface: A cylindrical metallic utility pole or street light post.. Colors: #8A2BE2 (Violet Star), #FFFFFF (White Typography), #000000 (Black Background), #808080 (Grey Metal Pole). Composition: Close-up, centered on the sticker with a shallow depth of field that blurs the street scene behind.. The sticker appears to be promotional material for a musical collective or underground culture movement. By utilizing a five-pointed star and bold alphanumeric codes, it adopts a visual language of political rebellion or 'vanguard' status, re-contextualizing these symbols for modern urban self-promotion.
[STICKER]

The Violet Vanguard

Artist: Unknown

Location: Prato, Italia

A vibrant and dense 'sticker bomb' collage covering a flat urban surface. The stickers are layered haphazardly, featuring a wide variety of themes including winter sports, football clubs, and travel tags.. Subject: A snowmobile rider silhouette. Style: Graphic logo. Details: The sticker features Russian text 'СНЕГОХОДЧИКИ' (Snowmobilers) in blue and white, set within a stylized gear frame.. Shape: Circular with a gear-like border. Setting: Urban or resort environment. Surface: A flat outdoor utility surface, likely the back of a sign or a control box.. Colors: #FFFFFF (Pure White), #004185 (Deep Blue), #FFD700 (Golden Yellow), #C8102E (Crimson Red), #000000 (Black). Composition: Flat-lay style close-up that fills the entire frame to emphasize the texture and density of the stickers.. This sticker collection serves as a physical guestbook of a specific subculture, likely centered around European alpine tourism and sports. The layering of stickers from different countries (Italy, Germany, Russia) creates a temporal map of visitors, where each layer represents a different moment in time and a different individual leaving their mark on a shared space.
[STICKER]

Mosaic of the Mountain Tribe

Artist: Unknown

Location: Kastelruth - Castelrotto, Italia

A rustic wooden information sign for Passo Daone at an altitude of 1300 meters, heavily adorned with a diverse collection of travel and club stickers. The sign is framed by heavy timber and set against a backdrop of lush green forest foliage.. Subject: The 'Mistoerer' graphic logo. Style: minimalist graphic. Details: Features bold black typography alongside a silhouette of a person engaged in outdoor sports, characteristic of travel tag stickers.. Shape: rectangular. Setting: alpine forest. Surface: A metal information board mounted inside a protective wooden roofed structure.. Colors: #72412C (Sign Brown), #7D5A44 (Wood Bark), #FFFFFF (Stark White), #2F411C (Deep Forest Green). Composition: A centered, eye-level shot that captures the sign as a repository of collective memory.. The sign serves as a 'living' archive of human passage through the landscape. By placing stickers on a functional piece of infrastructure, travelers transform a bureaucratic marker into a communal canvas that records their presence and shared passions for the outdoors.
[STICKER]

Memories at 1300 Meters

Artist: Unknown

Location: Preore, Italia

A large, high-contrast black and white wheatpaste poster dominates a weathered metal utility box. The artwork features a surreal, dog-headed figure in a messianic pose, surrounded by religious-style iconography and graphic text.. Subject: A humanoid figure with a dog's head wearing robes, positioned like a religious icon.. Style: Graphic, high-contrast illustration using halftone patterns and bold linework.. Details: The figure has outstretched hands atop a bed of clouds, with a sunburst 'halo' effect in the background. Text includes 'DOG IS' at the top and a large inverted 'DOG' at the bottom, with 'GU-TANG CLAN' repeated in the footer.. Shape: Rectangular poster. Setting: Urban environment. Surface: A metal electrical or utility cabinet located on a street.. Colors: #000000 (Black), #FFFFFF (White), #8C8C8C (Gray). Composition: Centered, eye-level frontal shot emphasizing the verticality of the poster.. This work subverts traditional religious imagery by replacing a holy figure with a canine, creating a juxtaposition between the sacred and the mundane. The inclusion of 'GU-TANG CLAN' serves as a playful homage to the Wu-Tang Clan, embedding the piece within hip-hop culture and urban mythology while questioning themes of devotion and public identity.
[STREET ART]

Dog is God

Artist: Unknown

Location: Firenze, Italia

A large brown roadside sign is almost entirely obscured by a dense collage of colorful stickers, set against a backdrop of lush green mountains and a serene lake. The sign serves as a vertical canvas for hundreds of travelers and local groups to mark their presence in this scenic landscape.. Subject: A diverse collection of club logos, travel souvenirs, and brand graphics. Style: Graphic and illustrative collage. Details: The stickers represent various subcultures, from motorcycle clubs like 'Moto Club Alice Castello' to local events and humorous slogans.. Shape: Mixed (circular, rectangular, and die-cut stickers). Setting: Mountainous rural landscape. Surface: An informational or welcome sign on a metal frame with utility poles. Colors: #8B4513 (Saddle Brown), #FFFFFF (White), #2E8B57 (Sea Green), #D3D3D3 (Light Gray). Composition: Straight-on centered composition with a deep depth of field showing the landscape behind the focal point.. This sticker-bombed sign functions as a communal guestbook, where the act of 'slapping' a sticker becomes a ritual of passage for visitors. It highlights a fascinating juxtaposition between the chaotic, ephemeral nature of urban street art and the enduring, static beauty of the natural world.
[STICKER]

The Traveler's Mosaic Over the Valley

Artist: Unknown

Location: Careggine, Italia

A dense and vibrant collection of stickers covers a transparent glass surface, likely a shop window or display case in a traveler-frequented locale. The stickers are a chaotic mix of graphic styles including bold illustrated logos, minimalist typography, and photographic prints. The predominant themes center around motorcycle culture (numerous 'Moto Clube' emblems), regional tourism across South America (mentions of Ecuador, Atacama, and various Brazilian cities), and sports fandom, particularly Brazilian soccer teams like Cruzeiro E.C. Notable visual elements include a cartoonish chicken drumstick for 'Coxinhas Selvagens', a skull and crossbones for 'Foragidos Moto Clube', and numerous travel-related badges. Colors are eclectic, ranging from bright primary yellows and reds to high-contrast black and white designs. The top of the frame features the repeated red cursive text 'Donde Augusto'. The overall mood is one of a community-driven travel log, capturing the subcultures of South American road trippers, bikers, and urban explorers.
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Adhesive Chronicles: A South American Travel Collage

Artist: Unknown

Location: Chile

A circular photographic street sticker featuring a young person with short brown hair, smiling and winking at the camera. The subject is wearing a playful, oversized, fuzzy pink animal hood with long protrusions. The photographic style is clear and realistic against a plain white circular background. The sticker is placed on a textured, bright green metal pole that shows signs of weathering and urban wear. The setting is an outdoor, wooded area with blurred trees and a forest floor visible in the background. The overall mood is lighthearted and whimsical, characteristic of personal character stickers or casual urban art interventions.
[STICKER]

Fuzzy Pink Whimsy

Artist: Unknown

Location: Piombino, Italia

A large, high-contrast monochrome wheatpaste depicting a young boy absorbed in a smartphone. The artwork is accented with bold red typography at the bottom and is signed by the artist Laben.. Subject: A young boy with curly hair looking down at a mobile device.. Style: Stencil-style high-contrast monochrome with red stencil text.. Details: The boy is depicted in black and white with dramatic shadows, while the text 'SOLITUDINE CONTEMPORANEA' is printed in vibrant red at the base.. Shape: Die-cut silhouette. Setting: Urban environment. Surface: A flat urban surface, likely a utility cabinet or a painted door.. Colors: #000000 (Black), #FFFFFF (White), #B22222 (Firebrick Red), #8C8984 (Davy's Grey). Composition: Centered portrait orientation focusing on the subject's posture and the message at the bottom.. The piece provides a direct critique of modern digital addiction, particularly among the youth. The Italian phrase translates to 'Contemporary Solitude,' suggesting that while technology connects us, it simultaneously isolates individuals within a personal digital bubble, turning a social tool into a source of loneliness.
[STREET ART]

Solitudine Contemporanea

Artist: @alexlaben

Location: Firenze, Italia

A circular 'No Entry' traffic sign has been creatively subverted with a yellow noose sticker. The artwork is positioned in front of a historic stone building under a clear blue sky.. Subject: A hangman's noose. Style: Graphic illustration. Details: Bright yellow rope with bold black outlines, cleverly interacting with the sign's horizontal white bar.. Shape: Die-cut. Setting: Historic urban square. Surface: Standard metal traffic sign on a utility pole. Colors: #E31E24 (Signal Red), #FFF200 (Safety Yellow), #F5F5F5 (Off-White), #87CEEB (Sky Blue), #A08C6B (Ancient Stone). Composition: Low-angle shot focusing on the sign, utilizing the building's corner to frame the right side.. This piece is a signature work of urban intervention, transforming a symbol of bureaucratic command into a metaphor for the lethal or stifling nature of absolute restriction. By placing the noose around the 'No Entry' bar, the artist suggests that blind obedience to boundaries can lead to a figurative social death, inviting viewers to question the rules that govern their movement and behavior.
[STREET ART]

Dead End: The Noose of Restriction

Artist: Unknown

Location: Firenze, Italia

A dense and vibrant collage of various stickers and decals layered onto a transparent glass shop window. The collection forms a complex visual tapestry of logos, illustrations, and slogans that partially obscures the interior of a bookstore.. Subject: A cartoon coffee character mascot for 'Friedhats'. Style: Illustrated cartoon. Details: Bold black outlines with a playful, expressive coffee cup character, appearing multiple times in different variations across the glass.. Shape: Circular. Setting: Indoor bookstore/cafe environment. Surface: A glass shopfront window or entrance door for a literary cafe.. Colors: #000000 (Black), #FFFFFF (White), #FFD700 (Gold), #C51F2D (Red), #1E40AF (Deep Blue). Composition: A flat, frontal perspective focusing on the two-dimensional plane of the sticker collage.. The glass serves as a communal canvas where commercial branding, political messages, and independent art coexist. This layering represents a 'visual noise' that characterizes urban hubs, reflecting the diverse cultural influences and the identity of the establishment as a social crossroads.
[STICKER]

The Todo Modo Mosaic: Urban Curation on Glass

Artist: Unknown

Location: Firenze, Italia

Two oval-shaped wheatpaste artworks are centered within a rectangular wall niche beneath a street sign in an urban setting at night. The pieces depict two religious-style figures in white robes, one with fair skin and the other with a dark, obscured face, both holding a red strawberry.. Subject: Two Madonna-like figures holding strawberries. Style: Modern illustrative iconography with flat colors. Details: Both figures wear white veils and robes against light blue backgrounds; the strawberry acts as a substitute for the traditional sacred heart.. Shape: Two separate elliptical (oval) wheatpastes. Setting: Urban night setting. Surface: A recessed rectangular niche in an exterior building wall. Colors: #F5F5DC (Beige), #FFFFFF (White), #000000 (Black), #ED1C24 (Strawberry Red), #A9C6D9 (Powder Blue). Composition: Centered, eye-level perspective focusing on the symmetry of the artwork within the architecture. The work subverts traditional religious iconography by introducing a duality of skin tone and replacing the 'Sacred Heart' with a strawberry. Located on 'Via del Fiordaliso' (Cornflower Street), the piece challenges historical European depictions of divinity, suggesting a more inclusive or culturally blended interpretation of the sacred in a modern urban context.
[STREET ART]

The Sacred Twins of Fiordaliso

Artist: Unknown

Location: Firenze, Italia

A dense and vibrant collage of various stickers covering a transparent glass window. The collection features a mix of local business logos, social messages, and artistic illustrations, creating a textured urban tapestry.. Subject: Artistic representation of a wine glass. Style: Line art illustration. Details: A tall, elegant wine glass containing a stylized female figure with flowing hair, accompanied by the word 'Naturel' in a flowing cursive script.. Shape: Rectangular. Setting: Indoor urban establishment. Surface: Window or door of a bar or restaurant. Colors: #800020 (Burgundy), #FFFFFF (White), #000000 (Black), #4B0082 (Indigo), #FFD700 (Gold). Composition: A flat-lay perspective focusing on the density and overlapping layers of the sticker collection.. The collage acts as a communal canvas, documenting the cultural and commercial identity of the local neighborhood. It blends themes of gastronomy, social activism (e.g., 'Free Palestine'), and personal artistic expression, turning a functional glass surface into a vibrant piece of public history.
[STICKER]

A Glass Gallery of Urban Flavors

Artist: Unknown

Location: Firenze, Italia

A dense and diverse collection of urban stickers layered onto two glass window panes separated by a yellow wooden frame. The collection reflects a wide array of themes including psychedelic art with glowing mushrooms, cosmic eyes, and intricate sacred geometry mandalas; outdoor culture featuring cacti, mountains, and trees; and local branding for music systems and artisanal products. Notable subjects include a floating Tanooki Mario illustration, a neon green 'Poison Griptape' bottle, and a purple skull wearing a bucket hat. The artistic styles range from detailed digital illustrations and bold typography to photographic elements and stencil-like graphics. Visible text includes phrases such as 'Natural Radio', 'Mad Charlie's', 'SOMA Mushroom Elixir', 'Chakano Sound System', and 'Ecoterapia'. The overall mood is eclectic and vibrant, suggesting a bohemian setting like a cafe, skate shop, or creative studio where community members have layered their personal and brand identities over time.
[STICKER]

Urban Mosaic: A Translucent Gallery of Subcultures

Artist: Unknown

Location: Chile

A striking red and white wheatpaste poster featuring a stylized, high-contrast portrait of a woman. The artwork is affixed to a textured, off-white urban wall, showcasing the tactile wrinkles of manual application.. Subject: A portrait of a woman with an intense, steady gaze. Style: High-contrast stencil or screen-print aesthetic. Details: The portrait is enclosed in a decorative frame with geometric patterns and vertical bars. The bottom right features a small signature that appears to read 'ACHES'.. Shape: Rectangular. Setting: Urban environment. Surface: Exterior building wall. Colors: #C41E3A (Cardinal Red), #FFFFFF (White), #E2DED0 (Almond). Composition: A centered, eye-level close-up shot that emphasizes the symmetry and intensity of the portrait.. The bold red ink and high-contrast style create a sense of urgency and authority, reminiscent of classic propaganda posters but repurposed for urban expression. By placing a large-scale portrait in a public space, the artist humanizes the concrete environment, transforming a silent wall into a platform for presence and identity.
[STREET ART]

Crimson Gaze of the Concrete

Artist: Unknown

Location: Firenze, Italia

A large, illustrative street art poster is displayed within a metal frame recessed into a weathered stone wall. The artwork features a silhouetted figure with iconic rounded ears against a vibrant pink sky, accompanied by hand-written spiritual text.. Subject: A silhouetted figure in a purple jacket and hoodie with mouse-like ears.. Style: Painterly illustration with street art tagging.. Details: The text 'GOD IS LOVE YOU ARE... LOVE' is written in a thin, marker-like font. There are white clouds and a landscape in the background of the inner arch.. Shape: rectangular. Setting: Urban exterior. Surface: A metal utility box or display frame embedded in a masonry wall.. Colors: #4B3B7A (Royal Purple), #EB6B7F (Salmon Pink), #1A1A1A (Carbon Black), #A89F91 (Stone Tan). Composition: Straight-on, centered shot that emphasizes the contrast between the colorful art and the monochromatic stone.. The work juxtaposes spiritual affirmations with pop-culture iconography and the grittiness of urban decay. By blacking out the face, the artist creates a universal figure that represents humanity's search for identity and divinity within a commercialized world.
[STREET ART]

God is Love

Artist: Unknown

Location: Firenze, Italia

A large-scale wheatpaste artwork featuring an expressive portrait of an elderly woman winking, dressed in a cosmic-themed superhero garment. The piece is signed by the artist LeDiesis and is pasted onto a weathered wooden surface.. Subject: An elderly woman with white hair and a playful winking expression.. Style: Painterly illustration with bold brushwork and vibrant colors.. Details: She wears a blue sweater emblazoned with the iconic Superman 'S' logo, decorated with hand-drawn planets, stars, and swirls.. Shape: Die-cut portrait. Setting: Urban environment. Surface: A plywood construction hoarding or aged wooden wall with visible wood grain and old markings.. Colors: #2B67B2 (Cobalt Blue), #E21F26 (Heroic Red), #FEE101 (Bright Yellow), #F2F2F2 (Off-White), #583E31 (Earthy Brown). Composition: A centered, vertical portrait that focuses on the subject from the chest up, creating a direct connection with the viewer.. Part of the 'Superwomen' series by the artist LeDiesis, this work subverts traditional superhero imagery by casting an everyday elderly woman in the role of a hero. The wink suggests a playful 'secret' power, emphasizing that true heroism and strength can be found in wisdom, age, and maternal figures who have historically been overlooked in pop culture narratives.
[STREET ART]

Margherita delle Stelle

Artist: @lediesis

Location: Firenze, Italia

A square religious sticker featuring a minimalist black pictogram of a person kneeling in prayer, set against a vibrant yellow background. The design is reminiscent of a cautionary or informational sign, framed by a thick black border. At the bottom, white text on a black bar reads 'SCEGLIGESU.COM', which translates from Italian as 'Choose Jesus'. The sticker is applied to a grey, galvanized metal pole, likely a utility post or lamppost, and is covered in small water droplets from recent rain. The blurry background suggests an outdoor urban or suburban setting with hints of green and yellow foliage. This piece serves as a form of religious outreach or street mission, using the visual language of urban signage to convey a spiritual message.
[STICKER]

Scegli Gesù

Artist: Unknown

Location: Sesto Fiorentino, Italia