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// Semantic Search

"Funghetty"

20 results found

This black and white die-cut sticker features a grotesque, psychedelic mushroom monster. The tall, tapering cap is covered in numerous unblinking eyeballs of various sizes, with a large, prominent eye at its center. Its stalk is transformed into a screaming face with a wide mouth full of needle-like teeth and a long, slender tongue lashing out. The illustration is rendered in a detailed ink-sketch style with fine hatching and stippling, typical of underground comic or counter-culture art. The sticker is adhered to a white, textured metal or plastic surface, possibly a utility box, which shows minor signs of wear with black scuffs and a faint, pale green graffiti tag to the right. The piece carries a surreal, trippy, and slightly dark mood, referencing psychedelic experiences and monstrous transformations.
[STICKER]

The Watcher of the Woods: A Psychedelic Scream

Artist: Funghetty

Location: Firenze, Italia

A dense and diverse collection of urban stickers layered onto two glass window panes separated by a yellow wooden frame. The collection reflects a wide array of themes including psychedelic art with glowing mushrooms, cosmic eyes, and intricate sacred geometry mandalas; outdoor culture featuring cacti, mountains, and trees; and local branding for music systems and artisanal products. Notable subjects include a floating Tanooki Mario illustration, a neon green 'Poison Griptape' bottle, and a purple skull wearing a bucket hat. The artistic styles range from detailed digital illustrations and bold typography to photographic elements and stencil-like graphics. Visible text includes phrases such as 'Natural Radio', 'Mad Charlie's', 'SOMA Mushroom Elixir', 'Chakano Sound System', and 'Ecoterapia'. The overall mood is eclectic and vibrant, suggesting a bohemian setting like a cafe, skate shop, or creative studio where community members have layered their personal and brand identities over time.
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Urban Mosaic: A Translucent Gallery of Subcultures

Artist: Unknown

Location: Chile

A graphic, typographic street sticker featuring the phrase "LA CAZZO DE LOCURA" in a bold, sans-serif white font. The text is arranged in stacked, color-coded blocks of red and yellow against a black rectangular background. The phrase is a multilingual mashup of Italian and Spanish slang, translating roughly to "the fucking madness". The sticker is placed in the center of a galvanized metal plate that has a textured, crystalline pattern. This metal plate is affixed to a wall, sandwiched between a rough concrete upper section and a smooth, light-grey lower section. The overall aesthetic is industrial and minimalist, reflecting an urban environment. The piece captures a mood of frustration, energy, or a cynical commentary on modern life through bold linguistic play.
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La cazzo de locura

Artist: Unknown

Location: Marilleva, Italia

A close-up shot of a grey metal pole densely covered with various street stickers in an urban environment. The central focus is a circular teal sticker featuring evocative Italian text superimposed over a dark, moody landscape.
[STICKER]

Mi sei venuta in mente nei pompini di un'altra

Artist: Corpi Sfatti

Location: Firenze, Italia

A vertical composition focusing on a metallic pole heavily layered with diverse urban stickers. The central focus is a political sticker promoting solidarity and anti-fascism through the lens of mountain hiking.
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Peaks of Resistance

Artist: Unknown

Location: Firenze, Italia

A collection of various stickers placed on a light grey metal utility cabinet set against a textured ochre wall. The scene is illuminated by strong, dappled sunlight casting organic shadows across the surface.
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Florence Echoes: Shadows and Slogans

Artist: Unknown

Location: Firenze, Italia

A playful street art parody of Johannes Vermeer's 'Girl with a Pearl Earring', where the subject's iconic pearl is replaced by a tiny, white Totoro character from Studio Ghibli. The artwork is a square paste-up or tile mounted onto a textured, light-colored stone block wall. The illustration maintains a classical painterly aesthetic with a vibrant blue headscarf, a golden-ochre jacket, and a deep black background. A small, sparkling pink glitter heart sticker is adhered to the top right corner of the piece. The hashtag '#MAURIZIORAPITI' is visible in small white lettering at the top left edge. This piece represents a whimsical mashup of high art and modern pop culture, adding a touch of surrealism and humor to an urban environment.
[STREET ART]

The Girl with the Totoro Earring

Artist: Unknown

Location: Firenze, Italia

A collection of three distinct stickers on a white metal surface, likely part of a utility box or vehicle in an outdoor setting. The top sticker features a high-gloss, black and white mandala-inspired floral pattern with the text 'snertattoos' in a central band. Below it is a colorful circular emblem for 'SCUOLA ITALIANA SCI SESTOLA', showcasing blue, red, and the Italian flag colors with stylized white snowflakes. The bottom-most sticker is a black and white circular design featuring an illustrated one-eyed cyclops monster character making rock-and-roll hand gestures, surrounded by the Italian text 'RANDAGI BHS' and 'MERDO È BELLO' with small stars. This eclectic mix captures a blend of professional sports branding, tattoo artistry, and underground street culture, set against a clean, industrial background under bright daylight.
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Merdo è bello

Artist: Randagi

Location: Sestola, Italia

A large-scale wheatpaste artwork applied to a metal utility door, depicting a parody of Leonardo da Vinci's 'Lady with an Ermine'. The central figure is shown holding a large head of lettuce instead of the traditional ermine, set against a vibrant yellow wall.. Subject: A Renaissance-style portrait of a woman holding a head of lettuce.. Style: classical parody. Details: The artwork features significant weathering and peeling at the top. It has been modified with hand-drawn graffiti including an anarchy symbol and the word 'TABOO'.. Shape: rectangular. Setting: urban exterior. Surface: metal utility door embedded in a stucco wall. Colors: #E8C461 (Ochre), #2E2E2E (Charcoal), #7A90A4 (Slate Blue), #889C71 (Sage Green), #7B3625 (Russet). Composition: centered, eye-level frontal shot. This work is a form of 'culture jamming' that subverts high-art iconography to create a surreal and humorous contrast. By replacing the symbol of purity and nobility (the ermine) with a common vegetable, the artist bridges the gap between the elite art world and everyday urban life. The addition of anarchist tagging suggests a rejection of traditional art hierarchies and institutional control.
[STREET ART]

La dama con la Lattuga

Artist: Unknown

Location: Firenze, Italia

A large-scale wheatpaste parodying Jacques-Louis David's 'Napoleon Crossing the Alps', depicting a military figure riding a giant seahorse. The artwork is applied to a heavily tagged metal utility box, creating a contrast between the detailed illustration and raw urban graffiti.. Subject: A figure resembling Napoleon Bonaparte in a bicorne hat and flowing red cape, riding a large, realistic seahorse.. Style: Painterly illustration with bold outlines. Details: The figure wears modern-looking goggles and the seahorse features intricate brown and gray striped patterns.. Shape: Die-cut. Setting: Urban exterior. Surface: A metal utility box or electrical cabinet. Colors: #C41E3A (Cardinal Red), #2B4F60 (Deep Teal), #D6C5B3 (Parchment), #000000 (Black), #FFFFFF (White). Composition: Straight-on centered shot highlighting the scale of the artwork relative to the utility box.. This piece subverts classical iconography by replacing the traditional warhorse with a seahorse, blending historical grandeur with surrealist humor. It serves as a commentary on the fluidity of power and the recontextualization of 'high art' within the public, urban sphere.
[STREET ART]

Il cavalluccio marino di Napoleone

Artist: @blub_lartesanuotare

Location: Firenze, Italia

A large, high-contrast black and white wheatpaste poster dominates a weathered metal utility box. The artwork features a surreal, dog-headed figure in a messianic pose, surrounded by religious-style iconography and graphic text.. Subject: A humanoid figure with a dog's head wearing robes, positioned like a religious icon.. Style: Graphic, high-contrast illustration using halftone patterns and bold linework.. Details: The figure has outstretched hands atop a bed of clouds, with a sunburst 'halo' effect in the background. Text includes 'DOG IS' at the top and a large inverted 'DOG' at the bottom, with 'GU-TANG CLAN' repeated in the footer.. Shape: Rectangular poster. Setting: Urban environment. Surface: A metal electrical or utility cabinet located on a street.. Colors: #000000 (Black), #FFFFFF (White), #8C8C8C (Gray). Composition: Centered, eye-level frontal shot emphasizing the verticality of the poster.. This work subverts traditional religious imagery by replacing a holy figure with a canine, creating a juxtaposition between the sacred and the mundane. The inclusion of 'GU-TANG CLAN' serves as a playful homage to the Wu-Tang Clan, embedding the piece within hip-hop culture and urban mythology while questioning themes of devotion and public identity.
[STREET ART]

Dog is God

Artist: Unknown

Location: Firenze, Italia

This image captures a weathered, cylindrical metal street pole in an outdoor urban setting, serving as a canvas for local subculture stickers. Three primary stickers are visible: at the top, a circular black sticker for 'Woodwork CrossFit' from Pisa with white and red text; in the middle, a rectangular silver sticker featuring a detailed illustration of a skull wearing an orange motorcycle helmet and goggles, labeled 'FURIOUS TEAM.COM' and 'ITALIE 2024'; and at the bottom, a black and white circular sticker for 'BOARDRIDERS Marina di Pietrasanta'. The setting is a bright, sunlit street scene with a blurred pedestrian, flower beds, and buildings in the background, likely in the Versilia region of Italy. The collection of stickers represents various local communities including fitness, biker culture, and board sports, creating a mosaic of urban identity.
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Urban Echoes: A Trio of Subcultures

Artist: Unknown

Location: Pietrasanta, Italia

A large, hand-drawn wheatpaste of Jessica Rabbit applied to a weathered grey metal door covered in graffiti. The character is depicted in her signature seductive pose but with a domestic twist, holding a frying pan with an egg.. Subject: A stylized Jessica Rabbit holding a frying pan. Style: Illustrated, hand-painted with markers and bold line work. Details: Iconic red dress and purple gloves, featuring a Superman logo on a black garter belt and a sunny-side-up egg in a pan.. Shape: Large, die-cut silhouette. Setting: Urban street environment. Surface: Metal utility door or service cabinet. Colors: #E6192E (Vibrant Red), #8C4E9C (Deep Purple), #333333 (Charcoal Grey), #FFFFFF (Pure White), #F7B500 (Golden Yellow). Composition: Vertical full-body shot centered on the artwork. This piece by artist #LeDieSis subverts the traditional femme fatale archetype by placing Jessica Rabbit in a domestic context. The juxtaposition of her overt sexuality with a mundane task like frying an egg provides a humorous commentary on gender roles, while the Superman logo adds a layer of pop-culture empowerment.
[STREET ART]

Jessica Rabbitt

Artist: @lediesis

Location: Firenze, Italia

This image captures a collection of diverse stickers, many related to hiking and outdoor activities, adhered to a heavily weathered and rusted green metal utility surface. The contrast between the clean graphics of the stickers and the decaying texture of the metal creates a sense of urban layering and passage of time.. Subject: Mountain climbing and hiking themes. Style: Graphic illustration. Details: Prominent stickers include a rectangular 'Versante Apuano' design with silhouettes of climbers and a die-cut cartoon 'Gamba' hiker character, alongside several smaller round and rectangular tags.. Shape: mixed. Setting: Urban outdoor environment. Surface: Metal utility box or urban infrastructure. Colors: #1E3D31 (Dark Forest Green), #8B4513 (Saddle Brown Rust), #FFFFFF (Pure White), #00AEEF (Cyan Blue). Composition: Close-up, slightly high-angle shot focusing on the cluster of stickers and the surface texture.. The stickers suggest a community of outdoor enthusiasts leaving their mark in an urban environment. The themes of nature and exploration juxtaposed against industrial decay speak to the human desire to bring memories of the wilderness into the urban landscape, creating a physical record of shared subcultural identity.
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Alpine Echoes on Oxidized Steel

Artist: Unknown

Location: Italia

A black and white line-art sticker depicting a human brain fused with a handgun, placed on a weathered metal utility hatch. The hatch is embedded in a rough, beige-colored stucco or concrete wall.. Subject: A human brain integrated with a semi-automatic handgun.. Style: Detailed black and white illustration with cross-hatching and fine-line shading.. Details: The gun's slide and grip are intricately merged into the folds of the brain, featuring a small 'ZEMS' tag on the side.. Shape: Die-cut. Setting: Urban exterior. Surface: A metal utility hatch or electrical box door set into a building exterior.. Colors: #968576 (Muted Brown), #D2B48C (Tan), #000000 (Black), #FFFFFF (White), #705E52 (Umber). Composition: Centered, close-up shot focusing on the sticker within the frame of the metal box.. The piece explores the intersection of thought and violence, suggesting that ideas can be as lethal as physical weapons. By merging an organ associated with consciousness with a tool of destruction, the artist comments on the weaponization of ideology within the urban environment.
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Armed Intellect: The Cognitive Weapon

Artist: @zed1_art

Location: Firenze, Italia

A weathered white metal board, framed by curled rusted metal, serves as a community canvas in a historic Italian setting. Titled 'BORGO DEGLI ARTISTI' and 'SPAZIO D'ARTE', the surface is a dense collage of street culture. It features bold, black spray-painted graffiti tags like 'SERIO' and 'LASH!' alongside delicate hand-drawn icons, including a stylized eye and a face wearing a hat. Numerous stickers are pasted throughout, notably a photographic circular sticker of a woman, a red 'no entry' symbol with a reclining figure, and a political message in German stating 'kein mensch ist illegal' (no human is illegal). The background is filled with various colored markers, scribbles, and the playful text 'PINOCCHIO WAS HERE'. Mounted on a brick and plaster wall next to stone steps, this public art space reflects a vibrant, evolving urban dialogue through its mix of illustration, photography, and typography.
[STREET ART]

The Layered Voices of Borgo degli Artisti

Artist: Unknown

Location: Capoliveri, Italia

A minimalist rectangular sticker featuring high-contrast graphic design. The sticker has a bright yellow background with bold, black sans-serif typography that reads 'F4 BASITO'. Below the main text, in much smaller lettering, is the handle '@ LOCURAPRODUCTIONS' accompanied by an Instagram icon. The sticker is applied to a smooth, matte blue surface, likely a piece of street furniture like a metal utility box or a locker. The overall style is clean and promotional, typical of urban tagging and branding. The stark color palette of yellow, black, and the blue background creates a strong visual impact, making it easily identifiable in an urban setting. This piece reflects contemporary street-level marketing and collective identity.
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Basito

Artist: @locuraproductions

Location: Marilleva, Italia

A dense and vibrant collage of various stickers and decals layered onto a transparent glass shop window. The collection forms a complex visual tapestry of logos, illustrations, and slogans that partially obscures the interior of a bookstore.. Subject: A cartoon coffee character mascot for 'Friedhats'. Style: Illustrated cartoon. Details: Bold black outlines with a playful, expressive coffee cup character, appearing multiple times in different variations across the glass.. Shape: Circular. Setting: Indoor bookstore/cafe environment. Surface: A glass shopfront window or entrance door for a literary cafe.. Colors: #000000 (Black), #FFFFFF (White), #FFD700 (Gold), #C51F2D (Red), #1E40AF (Deep Blue). Composition: A flat, frontal perspective focusing on the two-dimensional plane of the sticker collage.. The glass serves as a communal canvas where commercial branding, political messages, and independent art coexist. This layering represents a 'visual noise' that characterizes urban hubs, reflecting the diverse cultural influences and the identity of the establishment as a social crossroads.
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The Todo Modo Mosaic: Urban Curation on Glass

Artist: Unknown

Location: Firenze, Italia

Two oval-shaped wheatpaste artworks are centered within a rectangular wall niche beneath a street sign in an urban setting at night. The pieces depict two religious-style figures in white robes, one with fair skin and the other with a dark, obscured face, both holding a red strawberry.. Subject: Two Madonna-like figures holding strawberries. Style: Modern illustrative iconography with flat colors. Details: Both figures wear white veils and robes against light blue backgrounds; the strawberry acts as a substitute for the traditional sacred heart.. Shape: Two separate elliptical (oval) wheatpastes. Setting: Urban night setting. Surface: A recessed rectangular niche in an exterior building wall. Colors: #F5F5DC (Beige), #FFFFFF (White), #000000 (Black), #ED1C24 (Strawberry Red), #A9C6D9 (Powder Blue). Composition: Centered, eye-level perspective focusing on the symmetry of the artwork within the architecture. The work subverts traditional religious iconography by introducing a duality of skin tone and replacing the 'Sacred Heart' with a strawberry. Located on 'Via del Fiordaliso' (Cornflower Street), the piece challenges historical European depictions of divinity, suggesting a more inclusive or culturally blended interpretation of the sacred in a modern urban context.
[STREET ART]

The Sacred Twins of Fiordaliso

Artist: Unknown

Location: Firenze, Italia

Il cavallo bianco di Napoleone in realtà era color legno.
[STREET ART]

Il cavallo bianco di Napoleone

Artist: Maurizio Rapiti

Location: Firenze, Italia